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FILMEXPORT HOME VIDEO
Presents

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WHEN THE CAT COMES

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Starring

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In Children<i>'</i>s Roles

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Associates
Sound Illustrations

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Story by / Screenplay by
Dialogue Cooperation

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Music by

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Film Symphonic Orchestra Conducted by

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Film Editor
Sound Editor

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Set Decorator/ Costume Designer
Make Up Artist

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Set Designer/ Costumes
Make Up

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2nd Camera / CameraAssistant
Photographer

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Special Effects / ArchitectAssistant
Animal Trainer

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Sound Effects / Music Effects

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Chief Lighting Technician
Assistant Editor

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FirstAssistant Director
Director<i>'</i>sAssistants

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Associate Producers

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Executive in Charge of Production

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Director of Photography

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Directed by

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Made by the Group
Processed by the Laboratories

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Once upon a time, there was...
more wasthan wasn<i>'</i>t.

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To watch the bustle oflife,

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is always amusing. And it is fun,
when one likes people.

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Yet, one hasto look at things
from a proper height.

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Not too high, though, like astronauts
because fortheirweightlessness,

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they don<i>'</i>t even have the time
to notice what<i>'</i>s really going on.

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Ahumble height and a humble tower
dwarfing a humble small town will do,

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and one seestragedies as well as
trilogies.

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Now, I<i>'</i>ll have a look what<i>'</i>s the day
like today at home.

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We should see five baby pramsthere.
Oh no, six already.

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We are growing uncontrollably and
there<i>'</i>s nothing we can do about it.

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These are tourists from remote
cooperative farms.

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They<i>'</i>re always keen on coming here,
especially during harvest,

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to admire our Renaissance gables
and dispraise our good beer.

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And this is our biggest expert
on traffic. Watch him carefully,

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how he manages a car crash. Lucky for
us that people don<i>'</i>t listen to him.

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Look, Frank Timber, or Frank Tube,
depending on what odd job he<i>'</i>s doing.

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Susan, she<i>'</i>d be drawing all day.
The little one is trying hard too.

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Hettie, do you hear me? Why are you
drawing only with a blue chalk?

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That<i>'</i>sthe only one I<i>'</i>ve got, uncle.

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Well, why not,
even Picasso had his blue period.

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Ah, hopping gossip. She always hops,
when she<i>'</i>s window peeking.

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She<i>'</i>d like to see that,
those two are not married, you see,

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but she<i>'</i>d surely want them to be.
That<i>'</i>s herflat.

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The innkeepers are celebrating.
But it can<i>'</i>t be anything big, as they

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are drinking from small snifters.
Unless it<i>'</i>s an auditorfrom the district

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or even the regional office?
They<i>'</i>d have biggersnifters, though.

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And this is little Joey with
his dad Jack, who keep<i>'</i>s telling

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everyone that he has arthritis.
But he really suffers from thirst.

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Frank is carrying bricks.

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And they<i>'</i>re still auditing over here.

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Well I ever! Jack is working?
Isn<i>'</i>t he ill?

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No, he isn<i>'</i>t, he<i>'</i>s collapsing
and healthy as usual.

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And Marianne will help him,
she<i>'</i>s so kind.

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That<i>'</i>s the motherofthe girl
with the blue chalk.

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I don<i>'</i>t know, whether she<i>'</i>s a widow
or a single mother,

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afterall, let<i>'</i>s not be formalists.

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What a Jack-ass!

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This is a Jack-asstoo,
even ifhis name is Robert.

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I don<i>'</i>t know, what he sees on her.
- Are you sure?

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Oh my, if you didn<i>'</i>t, just say so.
There<i>'</i>s still time.

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I was right, it<i>'</i>s from the regional
office, they have a black 603 saloon.

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The accounts were in order,
and the snifters likewise.

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Yes, this is forthe driver.

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And the show is over.

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They<i>'</i>ll take him home, he<i>'</i>ll get better
and he<i>'</i>ll go to the pub on his own.

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Frank again? What<i>'</i>sthat on his neck?
Some medal, outlandish I<i>'</i>d say.

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Hullo. Lfthey don<i>'</i>t set a job limit
for him, he<i>'</i>ll work himselfto death.

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I can<i>'</i>t watch this. At first,
it seems like an operetta,

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but ifRobert doesn<i>'</i>t come to senses,
he<i>'</i>ll end up in a tragedy.

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Will you always love me, till
you die?

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I have to go home for breakfast.
- No...

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Isn<i>'</i>t that remarkable.
- What a shot, mum?

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Murderer!
- Me and a murderer? You fool.

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What is it good for?
Shooting storks is forbidden.

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I know, but I have a special permit,
you see.

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Just you wait, when we tart it up.

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She knowsthat we<i>'</i>re not doing it
for ourselves.

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Can anyone tell me, what is ourtown
famous for?

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For our museum of stuffed animals.
- And tell me, teacher and you all,

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what would ourtown be without
our stuffed museum?

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We wouldn<i>'</i>t have any waxworks.
- You ought to realize

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that a perfectly stuffed animal
isthe best learning tool.

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Learning from corpses, well?
I didn<i>'</i>t mean you.

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And that no live animal
is not as alive, as an animal

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alive before and stuffed after.
- You are murderers anyway.

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They dislike spread wings.
We<i>'</i>re lucky we don<i>'</i>t have any.

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Listen, Mr. Oliva, with this sack
you can speak only for yourself,

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understand? For yourself only.
- And that takes some doing.

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Go about yourbusiness, everyone.

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Just a minute, I<i>'</i>m a bit late.

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Hullo.

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And something for you too, Johnny.
There you are.

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Good day.

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That line must be repaired.
- I see it too. I<i>'</i>ll fix it.

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Wait. Clean it, comrade.
- Of course.

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It<i>'</i>ll be shining...
Olda, can<i>'</i>t you be... when...

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Well, well.
- So...

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Good day.

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Isn<i>'</i>t that boy of mine stupid?

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Nonsense. Your son is a clever boy.
Nevertheless, he requires care.

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Care is not an easy thing, when
one<i>'</i>s a widower.

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And even more, if Robert
is histeacher.

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Listen, Robert,
denoting your superior

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as a murderer in public doesn<i>'</i>t
seem like constructive criticism.

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Or does it?
- Well...

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You see, it doesn<i>'</i>t.
Besides, I<i>'</i>ve never given up the idea

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ofbringing you on the right path.
Which is only one, as the truth, eh?

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Especially ifit<i>'</i>s yourtruth.
- My truth?

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What do you mean by that?
That everyone has his own truth?

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What kind of an idea is that,
young man. Caution!

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Excuse me, comrade.

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Of course.
To the right, comrade.

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I beg your pardon?
- I said to the right.

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Oh, to the right.

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We always say that the nicest thing
in the world is what? Joey?

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Friendship.
- And what else, Hettie?

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Sincerity.
- Yes, and what else, Olda?

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Not to cowerto anyone.
- Not to cowerto anyone, yes.

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And all together it means to be
a good citizen of ourtown.

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Now, everyone will write, draw
or paint what he or she likes

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or dislikes in ourtown,
orwhat would he or she like

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to be better here.
Come on, everyone.

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I know you<i>'</i>re watching me,
but what am I supposed to do?

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I needed money forthe car and now
forfuel and for mummy too.

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If I give to the guests what they
deserve and not to the state,

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they<i>'</i>ll put me in jail.
If I give to the state what belongs

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to it and give less to tourists...
- They<i>'</i>ll put you in jail all the same.

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At school, we were saying that
the nicest thing in the world

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is sincerity and friendship. But some
people don<i>'</i>t tell the truth...

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I don<i>'</i>t like my daddy, but I won<i>'</i>t
write that down,

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because he would whip me.

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As the question is not in line
with our requirements,

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it is essential to pay heed
to the moral aspect ofthe matter.

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The moral aspect ofthe matter...,
have you got that?

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Asthe question of our requirements...
Come in! Is not in line, it is...

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Oh, Julie, diligent as always.

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Charlie, close youreyes.

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Don<i>'</i>t be foolish, Rosie.

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Why, that<i>'</i>s wonderful, excellent,
it<i>'</i>s absolutely perfect.

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You<i>'</i>re an artist, comrade.
- You set your shoulderto the wheel.

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No, I just did the technical part.
The sculptural part isthe work

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of our headmaster.
- As you wish,

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everyone according to one<i>'</i>s skills.
Fly around.

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I beg your pardon?
- Fly, so that the illusion is perfect.

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You mean like that?
- Precisely.

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Children, today we will paint
reality.

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Comrade Oliva will be ourmodel.

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If you want...

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I can tell you some stories.

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About how you fell in love.

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About your sailordays
and how you were shipwrecked.

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So about love and peril.
Why not.

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Those are two things that make
a hero from an ordinary fellow.

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And I wanted to be a hero back then.
I was still young and handsome,

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I<i>'</i>m not young any more,
only handsome.

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Why didn<i>'</i>t you laugh, Helen?
- You are handsome, uncle.

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Thank you, my dear.
And don<i>'</i>t call me uncle.

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I used to be the second steersman
on one Greek ship.

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We set to sea on a beautiful day.
Everything was just fine

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and only when we were passing
the Cape ofNo Hope, it used to be

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called the Cape ofNo Hope, you see,
and today it<i>'</i>s the Cape of Good Hope,

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everything is getting better.
So, as we were passing that cape,

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all of a sudden we got into a storm.
The storm lasted 3 days and 3 nights!

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The storm did all it could,
the ship did all it could,

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I did all I could,
but the captain knew nothing,

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we ran into a cliff
and got shipwrecked.

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On the next day, I woke up
on a sandy beach, not knowing

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how I got there. Not a soul around
me, but for crates and wrecks

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and a small town nearby.
I set offtowards it and when I got

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there, what do you think,
there wasn<i>'</i>t a soul in the streets

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orin the houses, not a soul
in the gardens, it was a deserted.

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And only from afar, as ifbrought
by the breeze - I heard music.

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Enchanting music, like from
a magic flute. Do you hear it?

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So, I followed the sound of music
and it led me to a small square,

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where all the people from the town
were gathered and were listening

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to a magician playing a magic flute.
And a girl came with the magician,

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so charming, I<i>'</i>ve never seen such
a beautiful girl in my life,

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and I was much looking around.
Her name was Diana.

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And asthis Diana was dancing
and singing so beautifully,

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a cat was walking around her,
and the cat had something

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that no cat in the world has.

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Small eye glasses!
- Really, uncle... Mr. Oliva.

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I still have them.
Here they are.

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I won<i>'</i>t give them to you.

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No, go to your chairs,
sit down.

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The glasses are the only thing
that reminds me of Diana.

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Who in my eyes then embodied

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all the beauty ofthe world
and an ocean ofmystery.

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What happened to me instantly, then?
- You fell in love.

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And how! I travelled with them
from village to village,

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from town to town, I joined their
show and did everything, but for one

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thing that I was not allowed to do:
To take offthe cat<i>'</i>s glasses.

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And why?
- I asked the same thing.

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But they neverevertold me.
Bless my eyes, lassie,

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you<i>'</i>re a dab hand with it.
It<i>'</i>s a rare sight.

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You know you could go to a circus
with this as a speedpainter?

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Where was I?
So, they neverevertold me.

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Until one hot morning Diana fell
asleep under a mulberry in blossom.

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And when someone falls asleep under
a mulberry, he has to tell the truth.

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That<i>'</i>s an old proverb, Arabian or...,
well from the Near East.

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So when Diana fell asleep under
that mulberry,

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I asked her: <i>"</i>Diana sleeping under
the mulberry,

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why can<i>'</i>t I take offthe cat<i>'</i>s glasses?<i>"</i>
<i>"</i>Because,<i>"</i> said Diana still sleeping

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underthe mulberry, <i>"</i>ifthe cat
didn<i>'</i>t have the glasses

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everyone would change colour
according to their nature and actions.<i>"</i>

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And people wouldn<i>'</i>t like that.
So, I was waiting forthe nearest

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show and at the height ofit,
I took the cat<i>'</i>s glasses.

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And it was just as Diana had said.
People started changing colour

211
00:23:01,480 --> 00:23:04,153
according to their nature and actions.
Some were purple...

212
00:23:04,280 --> 00:23:07,750
And who?
- Liars and Pharisees.

213
00:23:07,960 --> 00:23:13,432
The unfaithful turned yellow.
- Yes, yellow as brimstone

214
00:23:13,600 --> 00:23:17,559
and egg yolk, as canaries.
- It served them right.

215
00:23:17,960 --> 00:23:23,318
And most importantly, Hettie,
lovers turned red, as red poppy.

216
00:23:23,440 --> 00:23:27,194
What about normal people?
- What happened to them?

217
00:23:27,320 --> 00:23:29,276
Well, the greatest trouble is always
with normal people.

218
00:23:29,360 --> 00:23:33,911
They didn<i>'</i>t gain orlose anything,
but it was some scrimmage.

219
00:23:34,280 --> 00:23:37,238
Because the purple and grey people,

220
00:23:37,360 --> 00:23:41,558
didn<i>'</i>t want the others to know,
so they were bad and killed the cat.

221
00:23:41,680 --> 00:23:45,389
And what about Diana?
- Diana disappeared

222
00:23:45,920 --> 00:23:48,559
and all there<i>'</i>s left are the glasses.

223
00:24:06,200 --> 00:24:09,237
I know you, you<i>'</i>re you
and he<i>'</i>s him!

224
00:24:09,360 --> 00:24:16,277
Don<i>'</i>t let those who paint
lose their hope.

225
00:25:14,880 --> 00:25:19,237
What do you think you<i>'</i>re doing
from my school? You<i>'</i>re insane!

226
00:25:20,240 --> 00:25:22,959
And what<i>'</i>s that wanderer doing there?
- Comrade Oliva...,

227
00:25:23,080 --> 00:25:24,957
we have an arts and crafts lesson,
he<i>'</i>s our model.

228
00:25:25,080 --> 00:25:27,878
I can see that.
And fooling around like a clown!

229
00:25:28,000 --> 00:25:30,389
He<i>'</i>s arousing fantasy in the children.
- Non-scientific.

230
00:25:30,520 --> 00:25:33,478
No other exists for me.
Does not exist...

231
00:27:35,480 --> 00:27:37,232
Tabby!

232
00:27:39,880 --> 00:27:41,836
Pussy cat!

233
00:27:41,960 --> 00:27:44,315
Pussy!
- Come on, don<i>'</i>t be foolish.

234
00:28:01,240 --> 00:28:04,437
Here, pussy, pussy.

235
00:28:06,880 --> 00:28:08,632
Pussy, pussy!

236
00:28:13,840 --> 00:28:17,799
Nothing? Oh, well.
Pussy, pussy! Pussy cat!

237
00:28:26,120 --> 00:28:28,270
Does it hurt?

238
00:28:34,840 --> 00:28:36,796
Come.

239
00:28:39,840 --> 00:28:43,594
Pussy, Tabby.

240
00:28:52,160 --> 00:28:54,913
Sit down.
- Thank you.

241
00:29:05,840 --> 00:29:07,990
Isn<i>'</i>t it hot?

242
00:29:11,360 --> 00:29:13,920
Does it hurt?
- No.

243
00:29:15,480 --> 00:29:18,836
You<i>'</i>re the most beautiful girl
I<i>'</i>ve ever seen.

244
00:29:19,400 --> 00:29:21,960
At least I think so.

245
00:29:27,080 --> 00:29:29,640
We bumped his head.
- Oh, it happens.

246
00:29:29,760 --> 00:29:32,149
As chance would have it.
- I<i>'</i>m pleased...

247
00:29:32,280 --> 00:29:34,999
That I have a bump?
- No, to meet you.

248
00:29:35,120 --> 00:29:38,430
You<i>'</i>re just like our castellan.
- Like who?

249
00:29:38,560 --> 00:29:42,838
The castellan. He looks like you,
speaks like you. His name is Oliva.

250
00:29:42,920 --> 00:29:45,639
Oliva...
Do we know any Oliva?

251
00:29:45,760 --> 00:29:48,911
Is he smart?
- Just as you are.

252
00:29:49,040 --> 00:29:52,316
Handsome, eh?
- You should know,

253
00:29:52,440 --> 00:29:55,273
if you<i>'</i>re a magician.
- I know nothing.

254
00:29:55,400 --> 00:29:58,392
I know only what I want to know.
Would you like to know everything?

255
00:29:58,520 --> 00:30:01,557
Well, if I were a magician.
- What would you say to a cup

256
00:30:01,880 --> 00:30:05,429
ofblack coffee? Refreshing, eh?
- Yes.

257
00:30:19,200 --> 00:30:22,033
We have costumes of all people.
- Really?

258
00:30:22,200 --> 00:30:25,715
Of any person you wish.
Who do you wish? Napoleon?

259
00:30:25,840 --> 00:30:28,798
No, you can get it everywhere.
- Chingiskhan?

260
00:30:29,800 --> 00:30:32,758
No.
- Columbus, then.

261
00:30:33,320 --> 00:30:37,677
No, I<i>'</i>d like something...
less military, more common.

262
00:30:37,800 --> 00:30:39,791
Like what?
- Like me.

263
00:30:39,920 --> 00:30:41,876
This.

264
00:30:46,000 --> 00:30:50,755
There you are.
With costumes, it<i>'</i>s the same

265
00:30:50,920 --> 00:30:55,072
as with the infinity orfinity
ofthe universe.

266
00:30:55,600 --> 00:30:59,070
What universe would you prefer,
a finite orinfinite?

267
00:30:59,200 --> 00:31:03,557
What do you think?
- Well, I think

268
00:31:04,800 --> 00:31:07,553
a cup of coffee would be swell,
what do you say to that?

269
00:31:41,760 --> 00:31:45,309
I<i>'</i>ve seated them perfectly.

270
00:31:45,680 --> 00:31:49,229
It will be difficult with Robert
anyway.

271
00:31:49,320 --> 00:31:51,675
Come on, take some.

272
00:31:53,800 --> 00:31:58,749
Robert is so stubborn. And such
a doughface at the same time.

273
00:34:39,560 --> 00:34:42,120
It<i>'</i>s fitting, isn<i>'</i>t it?

274
00:35:00,000 --> 00:35:01,558
Thank you.

275
00:35:13,120 --> 00:35:15,680
That was a good one.

276
00:37:47,840 --> 00:37:49,796
It was so stupid.

277
00:37:51,560 --> 00:37:54,870
If we can<i>'</i>t make head ortail ofit,
it cannot be directed at anyone.

278
00:37:55,000 --> 00:38:00,154
And therefore, it<i>'</i>s also typical.
Just mere ribaldry.

279
00:38:01,400 --> 00:38:04,358
My poorfellow, it seems we aren<i>'</i>t
much different.

280
00:38:31,480 --> 00:38:34,233
Yellow isthe colour ofinfidelity.

281
00:38:36,520 --> 00:38:39,273
Agrey rose, rather strange.

282
00:38:43,640 --> 00:38:47,394
Beware, madam, grey is the colour
of pilferers and thieves.

283
00:39:03,080 --> 00:39:07,835
And purple is for hypocrites,
climbers, careerists, and liars.

284
00:39:13,240 --> 00:39:19,190
Red stands fortrue love.
Red is forlovers.

285
00:44:57,560 --> 00:45:00,120
Yes, only the MiddleAges.

286
00:49:00,000 --> 00:49:02,753
You still look yourself, sir.

287
00:49:24,320 --> 00:49:28,472
Don<i>'</i>t worry, we<i>'</i>ll find Tabby.

288
00:49:35,920 --> 00:49:40,675
Are you alright?
- Tabby is gone.

289
00:49:43,040 --> 00:49:47,397
That<i>'</i>s life.
- I<i>'</i>ll kill it, kill it!

290
00:49:53,400 --> 00:49:55,960
You<i>'</i>re waiting for me,
you cuddly boy?

291
00:49:57,800 --> 00:49:59,552
What<i>'</i>sthe matter?

292
00:50:04,800 --> 00:50:06,552
Quiet!

293
00:50:08,800 --> 00:50:10,358
Tabby!

294
00:50:14,800 --> 00:50:16,756
Pussy, pussy!

295
00:50:30,280 --> 00:50:31,759
What<i>'</i>s going on here?

296
00:50:31,880 --> 00:50:36,192
Is it a symposium of doubles, or
matter and antimatterapproximation,

297
00:50:36,320 --> 00:50:40,359
which I would not recommend, as it
could lead to annihilation and thus,

298
00:50:40,480 --> 00:50:46,555
to the creation of an unknown power,
and the known powers are just enough.

299
00:50:46,680 --> 00:50:50,070
Mr. Oliva, please,
did you see Tabby?

300
00:50:50,200 --> 00:50:54,079
To lie or not to lie, that is
the question, even ifit<i>'</i>s dark.

301
00:50:54,200 --> 00:50:56,395
I did.
- Where did he go?

302
00:50:56,520 --> 00:50:59,273
Well, I took him away in a sack,
so they don<i>'</i>t kill him.

303
00:50:59,400 --> 00:51:02,039
And I let him go right here,
to make him stay a little longer.

304
00:51:02,160 --> 00:51:05,311
He<i>'</i>s needed here.
- He<i>'</i>s needed everywhere.

305
00:51:05,440 --> 00:51:08,796
Can you show us what have you got
in yoursack?

306
00:51:09,920 --> 00:51:12,673
As a magician,
you ought to know that.

307
00:51:17,560 --> 00:51:22,554
Forgive me formy distrust.
- Never mind.

308
00:51:22,720 --> 00:51:28,078
We are used to distrust here.
Wicked tongues say I eat cats.

309
00:51:28,720 --> 00:51:32,872
But I<i>'</i>ve got horse-meat there.
Because I like goulash.

310
00:51:33,280 --> 00:51:35,111
Good night.
- Sweet dreams.

311
00:51:35,240 --> 00:51:36,275
You too.

312
00:51:36,400 --> 00:51:40,439
G<i>'</i>night, double.
- Apropos,

313
00:51:40,560 --> 00:51:43,950
you don<i>'</i>t remember me?
- How could I forget,

314
00:51:44,080 --> 00:51:48,039
you were my alter ego.
And you were in love with Diana.

315
00:51:48,240 --> 00:51:52,153
Wow, and how!
And how come she doesn<i>'</i>t know me?

316
00:51:52,280 --> 00:51:56,432
Youth has short memory.
Only the aging keep reminiscing.

317
00:51:56,560 --> 00:52:00,599
She was beautiful, when young.
What am I saying!

318
00:52:00,720 --> 00:52:05,271
She is beautiful and young!
There<i>'</i>s something wrong.

319
00:52:05,400 --> 00:52:10,349
Why? Youth does not age and beauty
does not fade away.

320
00:52:10,480 --> 00:52:14,439
There<i>'</i>s something to it.
How long have you been doing this?

321
00:52:15,320 --> 00:52:20,758
Me? Well, since people needed it.

322
00:52:21,360 --> 00:52:26,229
Abit ofbeauty, a bit o magic,
adding a little bit of Sunday

323
00:52:26,360 --> 00:52:29,511
to a grey working day.
And what are you doing?

324
00:52:31,120 --> 00:52:34,874
I<i>'</i>m trying to cultivate children<i>'</i>s
fantasy.

325
00:52:35,360 --> 00:52:39,319
What a fragile flower.
Withering with vanishing childhood.

326
00:52:39,400 --> 00:52:44,952
I<i>'</i>d call it something like
a non-resistant annual flower.

327
00:52:45,600 --> 00:52:50,151
Well, I<i>'</i>m trying to cultivate
a resistant perennial from it.

328
00:52:50,280 --> 00:52:52,919
Amichurinist, eh?
- Hmm.

329
00:52:53,320 --> 00:52:56,278
It seems we<i>'</i>re both tied up in work.

330
00:52:58,080 --> 00:53:04,030
Apropos, double, g<i>'</i>night.
- Avery g<i>'</i>night.

331
00:53:24,280 --> 00:53:27,192
Where isTabby from anyway?
- From our home.

332
00:53:27,360 --> 00:53:30,670
I see, from your home.
And where is your home?

333
00:53:30,800 --> 00:53:35,476
Everywhere, where there are children,
where<i>'</i>s Oliva and where you are.

334
00:53:35,640 --> 00:53:39,553
And people like you and Mr. Oliva.
- I<i>'</i>ve seen you before, Diana,

335
00:53:39,680 --> 00:53:44,435
a long time ago, I was still
climbing up the hill then.

336
00:53:45,240 --> 00:53:50,394
When you are young, it<i>'</i>s like
climbing up high mountains.

337
00:53:51,000 --> 00:53:55,949
You keep going up, but it doesn<i>'</i>t
matter, because the wind is blowing

338
00:53:56,080 --> 00:54:02,997
and the blue sky is above you,
so blue that your heart aches.

339
00:54:03,480 --> 00:54:06,631
And when you want to touch it,
it leaps back.

340
00:54:07,400 --> 00:54:12,349
Back then, when I was still climbing,
I saw you.

341
00:54:13,960 --> 00:54:17,635
Many times, I don<i>'</i>t know how come
I didn<i>'</i>t recognize you at once.

342
00:54:17,760 --> 00:54:21,719
But you<i>'</i>re still going up the hill.
- As long as I<i>'</i>m with you.

343
00:54:22,360 --> 00:54:25,318
Orwith the children.

344
00:54:26,560 --> 00:54:27,959
That<i>'</i>s why I love teaching them.

345
00:54:28,840 --> 00:54:32,389
Tabby!
- Pussy, pussy cat!

346
00:54:34,560 --> 00:54:36,118
Tabby!

347
01:01:18,880 --> 01:01:25,035
Don<i>'</i>t leave, Diana.
- I must. They<i>'</i>re waiting for us.

348
01:01:36,120 --> 01:01:37,872
Find Tabby.

349
01:01:40,760 --> 01:01:43,320
I<i>'</i>ll come back for him.

350
01:02:05,400 --> 01:02:08,710
Attention! Attention! This is
a special announcement.

351
01:02:08,840 --> 01:02:13,072
Atrained cat called Tabby is missing.
The creature isthe size

352
01:02:13,200 --> 01:02:16,954
of an adult cat, with greyish colour.
As it is a trained animal,

353
01:02:17,080 --> 01:02:21,232
its value is significant. The finder
shall receive a generous reward.

354
01:02:22,200 --> 01:02:24,953
Nothing can happen to me.

355
01:02:25,200 --> 01:02:29,398
Though I think that someone else
will get into a tight corner, eh?

356
01:02:29,520 --> 01:02:33,399
I don<i>'</i>t give a damn about that cat.
- I don<i>'</i>t like cats,

357
01:02:33,520 --> 01:02:39,072
fortheirinherent falsehood.
I don<i>'</i>t like wanderers either.

358
01:02:39,280 --> 01:02:42,431
Whose conscience is clear
doesn<i>'</i>t have to be afraid.

359
01:02:43,200 --> 01:02:48,149
Miaow, miaow.

360
01:03:05,160 --> 01:03:07,435
What did the gents say?

361
01:03:10,760 --> 01:03:15,550
They saw that trained tom-cat
in the field by the woods.

362
01:03:15,680 --> 01:03:18,672
Trained or not, in the field
or in the woods, such a beast

363
01:03:18,800 --> 01:03:22,998
is nothing else than a vermin.
- One has a game licence

364
01:03:23,120 --> 01:03:27,079
and doesn<i>'</i>t even use it.
- I<i>'</i>d love to have a shot.

365
01:03:28,080 --> 01:03:31,390
Yourrifle is polished and shining.

366
01:03:31,600 --> 01:03:35,354
So, this afternoon, eh?
- This afternoon.

367
01:03:35,520 --> 01:03:38,080
Who?
- Me, of course.

368
01:05:16,920 --> 01:05:19,480
What<i>'</i>s the matter, sir?
- The smell.

369
01:05:26,000 --> 01:05:29,356
What a terrible smell.
Wait.

370
01:07:02,560 --> 01:07:05,711
Marianne!
I have a terrible ache again.

371
01:07:06,840 --> 01:07:11,197
Are you telling the truth?
- I swearto God.

372
01:07:11,960 --> 01:07:13,916
Hullo, daddy.

373
01:08:36,520 --> 01:08:39,114
Miaow!
- Listen, Mr. Oliva,

374
01:08:39,240 --> 01:08:42,789
you used to be funnier.
- And you were not so grey then.

375
01:08:46,800 --> 01:08:49,758
Why such a hurry?
- I<i>'</i>m not in a hurry.

376
01:08:49,920 --> 01:08:55,790
Ah, you<i>'</i>re not. But you are!
We always hurry, if we are ashamed.

377
01:09:39,160 --> 01:09:41,116
Don<i>'</i>t you knock?

378
01:09:49,200 --> 01:09:51,555
Bring Robert here.

379
01:10:04,720 --> 01:10:09,475
Tabby has been found, you see.
Have Joey bring it here,

380
01:10:09,680 --> 01:10:14,629
I<i>'</i>d like to have a close look
at that four-legged wizard.

381
01:10:15,520 --> 01:10:17,670
I can arrange that.

382
01:10:18,920 --> 01:10:22,469
I<i>'</i>m calling Joey to come with the cat
to the headmaster<i>'</i>s office.

383
01:11:36,520 --> 01:11:39,239
Will you keep an eye on him?
- Of course I will.

384
01:11:39,360 --> 01:11:41,715
He<i>'</i>ll be better off with me
until Diana comes for him.

385
01:11:41,840 --> 01:11:45,389
Yeah, he<i>'</i>ll play with Pussy.
- He<i>'</i>ll have a hell of a time.

386
01:11:45,560 --> 01:11:50,111
Go now and tell the kids I<i>'</i>ll take
care ofTabby. Don<i>'</i>t worry.

387
01:11:50,840 --> 01:11:54,389
I<i>'</i>m coming. I<i>'</i>ll be right there
to see that little beast.

388
01:12:03,680 --> 01:12:09,755
Wait, stay where you are!
- Wait, let<i>'</i>stalk.

389
01:12:09,880 --> 01:12:12,872
I beg your pardon, that<i>'</i>s betrayal!
- Correct, it is betrayal.

390
01:12:13,000 --> 01:12:16,231
But your betrayal. You have betrayed
your mission as a teacher.

391
01:12:16,360 --> 01:12:19,318
I<i>'</i>m a good teacher!
- Hush, sit down. You teach children

392
01:12:19,840 --> 01:12:23,799
to hatemongerpeaceful citizens.
That cat is yourwork.

393
01:12:24,320 --> 01:12:27,790
The cat told the truth.
- I<i>'</i>m not willing to discussthe cat.

394
01:12:27,920 --> 01:12:30,992
As you wish, but tell the school servant
to return Tabby back to me!

395
01:12:31,120 --> 01:12:33,998
Are you keen on teaching?
- I am, otherwise, I wouldn<i>'</i>t be here.

396
01:12:34,120 --> 01:12:38,272
Let me give you valuable advice, then.
Stop bothering about the cat,

397
01:12:38,400 --> 01:12:42,473
don<i>'</i>t look left or right,
and teach. Else...

398
01:12:52,640 --> 01:12:53,993
I know everything, Robert.

399
01:12:54,120 --> 01:12:56,680
What will I tell the children? They
gave Tabby to me to take care ofhim...

400
01:12:56,800 --> 01:12:59,553
Being a rebel won<i>'</i>t help.
- I can<i>'</i>t bend my back, Julie.

401
01:12:59,680 --> 01:13:02,035
Come on, tactics has nothing to do
with yourspine.

402
01:13:02,160 --> 01:13:04,515
Tactics, you<i>'</i>ve turned all purple
from all those tactics.

403
01:13:04,640 --> 01:13:06,949
Only for you, Robert.
Only for you.

404
01:13:07,080 --> 01:13:08,991
Be sensible. You want Tabby
and you want to teach,

405
01:13:09,120 --> 01:13:12,078
you must resort to compromise.
- As you wish, I<i>'</i>m resorting.

406
01:13:12,200 --> 01:13:15,875
Don<i>'</i>t make fun ofit.
Atemporary compromise is possible.

407
01:13:16,000 --> 01:13:18,468
What compromise?
What...

408
01:13:18,600 --> 01:13:20,397
This one. You know, how much
the headmaster values it?

409
01:13:20,520 --> 01:13:23,478
But we<i>'</i>ve talked about the stork.
- You<i>'</i>ll repeat the lesson, then.

410
01:13:23,600 --> 01:13:27,639
In higher interests.
- Such a mummy, ugh.

411
01:13:27,760 --> 01:13:30,911
Tabby forthe stork,
quid for quod.

412
01:13:31,040 --> 01:13:33,793
I<i>'</i>ll arrange everything else.
- Julie...

413
01:13:44,560 --> 01:13:48,269
Is it true that Tabby isn<i>'</i>t
with you, sir?

414
01:13:48,400 --> 01:13:51,358
I gave it to Olda<i>'</i>s father
for a while.

415
01:13:52,880 --> 01:13:55,792
My dad doesn<i>'</i>t like him.
- It only seems that way.

416
01:13:55,920 --> 01:14:00,072
Children, what bird is it,
who knows?

417
01:14:00,920 --> 01:14:03,070
This bird is a stork.

418
01:14:03,200 --> 01:14:05,589
Correct.
- But we already had the stork.

419
01:14:05,720 --> 01:14:09,076
We did, but it<i>'</i>s an important bird,
we can repeat our lesson.

420
01:14:09,200 --> 01:14:11,475
Hettie, what do you know about it?
- The stork feeds on fish

421
01:14:11,600 --> 01:14:18,358
and all sorts ofpond animals.
- Will we take Tabby back?

422
01:14:21,920 --> 01:14:23,876
Good day.

423
01:14:26,480 --> 01:14:29,438
Continue with yourlesson, comrade.

424
01:14:33,480 --> 01:14:37,189
It seems my spine is bending.

425
01:14:38,320 --> 01:14:41,995
The stork.
That<i>'</i>s a rewarding topic.

426
01:14:42,840 --> 01:14:47,595
Headmaster, the class would like
to know how a stork is stuffed.

427
01:14:48,080 --> 01:14:52,232
Is he serious?
- Is he serious?

428
01:14:54,320 --> 01:15:00,919
Pupils, stuffing or preparation

429
01:15:01,040 --> 01:15:04,999
of such a frog eater
is not an easy task.

430
01:15:05,200 --> 01:15:08,033
It is an field of art...

431
01:15:08,160 --> 01:15:11,516
Look! The school servant is carrying
Tabby in a cage.

432
01:15:13,880 --> 01:15:16,440
And he has a stocking on his head.

433
01:15:32,400 --> 01:15:36,678
Stuffing must be very interesting
work, but we do not need it any more.

434
01:15:36,800 --> 01:15:41,316
We don<i>'</i>t need to kill animals
just to make learning tools ofthem.

435
01:15:41,440 --> 01:15:44,557
Isn<i>'</i>t it much betterto capture their
life and beauty on film?

436
01:15:44,680 --> 01:15:46,955
Oron a photograph?
Just look at this poorcreature

437
01:15:47,080 --> 01:15:50,390
and its empty look. Or just imagine
stuffed Tabby sitting here

438
01:15:50,520 --> 01:15:53,398
and gazing at us with glass eyes.

439
01:15:53,880 --> 01:15:58,032
You are insane, Robert.
You must apologize.

440
01:15:58,520 --> 01:16:01,080
You must apologize or else...
- Or else what?

441
01:16:01,320 --> 01:16:03,675
Or it<i>'</i>s all over between us.
- I agree.

442
01:16:03,800 --> 01:16:05,358
With what?
- With it all being all over.

443
01:16:05,480 --> 01:16:08,677
But, Robert...
- It will be betterthat way, Julie.

444
01:16:08,800 --> 01:16:11,360
Our spines would not fit each other.

445
01:16:14,840 --> 01:16:19,994
That<i>'</i>s interesting, it seems like
an ordinary cat at first sight,

446
01:16:20,480 --> 01:16:22,755
while...
- It<i>'</i>s such a beast, eh?

447
01:16:22,880 --> 01:16:26,031
Keep an eye on that anarchist.

448
01:16:26,280 --> 01:16:27,838
And as I ordered...
- Not to worry,

449
01:16:27,960 --> 01:16:31,032
everything is ready.
I can begin right now.

450
01:16:31,160 --> 01:16:35,711
I<i>'</i>ve just had an idea, as long as
we have him in our hands,

451
01:16:35,840 --> 01:16:39,549
anything can happen to such cat,
he can eat something terrible

452
01:16:39,800 --> 01:16:43,839
for example, or...
- Tell the innkeeperand Jack

453
01:16:43,960 --> 01:16:48,112
to come to my office before midnight.

454
01:16:48,320 --> 01:16:50,276
I understand.

455
01:17:24,200 --> 01:17:27,954
I summoned you all to discuss
the cat matter.

456
01:17:28,680 --> 01:17:32,229
It<i>'</i>s a rather delicate matter.

457
01:17:33,200 --> 01:17:38,957
And I advise you that as an official
I do not intend to influence anyone,

458
01:17:39,120 --> 01:17:43,477
as I am not for or against anyone.

459
01:17:43,600 --> 01:17:48,071
My only wish isto prevent
the recurrence ofthe scandalous scenes

460
01:17:48,320 --> 01:17:52,108
in ourtown and the dishonour
oflaw abiding citizens.

461
01:17:52,240 --> 01:17:54,754
Rip it to pieces.
- Let us be civilized, my friend.

462
01:17:55,000 --> 01:17:56,638
Civilized.

463
01:18:16,560 --> 01:18:21,315
No one will steal the cat.
I<i>'</i>ve prepared everything.

464
01:18:21,840 --> 01:18:25,992
Continue.
- I<i>'</i>d rip it to pieces.

465
01:18:27,200 --> 01:18:32,957
And what if someone stealsthe cat?
I mean supposedly.

466
01:18:33,200 --> 01:18:38,194
For example the servant here will go
to the basement tomorrow and he<i>'</i>ll see

467
01:18:38,480 --> 01:18:42,439
that the cage is empty, the window<i>'</i>s
broken and everybody suspects Robert,

468
01:18:43,160 --> 01:18:46,516
while the cat...
...is slowly dying.

469
01:18:48,520 --> 01:18:50,875
What do you think?

470
01:18:51,000 --> 01:18:54,754
Well, I<i>'</i>m not deciding anything,
I<i>'</i>m merely conducting the meeting.

471
01:18:55,360 --> 01:18:59,512
Alright, but someone must make
the decision, eh?

472
01:19:36,520 --> 01:19:39,273
You<i>'</i>ve sank to the bottom,
young man.

473
01:19:39,400 --> 01:19:44,758
Tell me, can such a person
teach our children?

474
01:19:46,400 --> 01:19:47,549
That<i>'</i>s out ofthe question.

475
01:19:47,680 --> 01:19:52,310
I mean well, Robert,
find another job or else...

476
01:20:51,600 --> 01:20:55,149
One more to the ground!

477
01:21:25,200 --> 01:21:26,758
Hullo...

478
01:21:28,840 --> 01:21:30,796
Take everything and destroy it!

479
01:22:23,400 --> 01:22:27,518
WE LIKE OURTEACHERAND TABBY.

480
01:22:27,640 --> 01:22:31,758
BECAUSE WRONG IS BEING DONETO THEM,
WEARE LEAVING.

481
01:22:31,960 --> 01:22:32,080
Attention! Attention!
Third grade pupils are ordered

482
01:22:32,080 --> 01:22:36,232
Attention! Attention!
Third grade pupils are ordered

483
01:22:36,360 --> 01:22:39,318
to return to their homes.

484
01:22:40,440 --> 01:22:43,955
I repeat. Third grade pupils

485
01:22:44,080 --> 01:22:47,993
are ordered to immediately return
to their homes.

486
01:22:51,440 --> 01:22:53,590
If only they knew

487
01:22:59,040 --> 01:23:00,917
what I know.

488
01:23:01,040 --> 01:23:05,511
Attention! Attention!
Third grade pupils are ordered

489
01:23:05,640 --> 01:23:08,598
to return to their homes.

490
01:23:09,720 --> 01:23:12,871
I repeat. Third grade pupils

491
01:23:13,000 --> 01:23:17,152
are ordered to immediately return
to their homes.

492
01:23:20,600 --> 01:23:24,559
Vinnie!

493
01:23:25,800 --> 01:23:31,352
Children! - Olda!
- Jaruna! - Olda!

494
01:23:33,080 --> 01:23:36,231
Do you hear me? Joey!

495
01:23:44,520 --> 01:23:45,873
Olda!

496
01:23:46,000 --> 01:23:49,356
Children!
- Come back, kids!

497
01:23:50,120 --> 01:23:52,270
Children!
- Olda!

498
01:23:55,120 --> 01:23:56,872
Joseph!

499
01:23:57,680 --> 01:24:01,036
Joey!
- Blazenka!

500
01:24:02,080 --> 01:24:06,039
Svatopluk!
- Tony!

501
01:24:06,640 --> 01:24:08,596
Everybody follow me!
Forward!

502
01:24:08,840 --> 01:24:12,674
Leftiststo the left,
rightiststo the right.

503
01:24:12,800 --> 01:24:17,157
Peter! Peter!
Pete! Tony!

504
01:24:20,320 --> 01:24:22,470
Stop yelling.
- Peter! Pete!

505
01:24:27,680 --> 01:24:32,356
Go that way, I<i>'</i>ll go this way.
- Peter!

506
01:24:32,600 --> 01:24:34,511
Mum! Mum!

507
01:24:36,680 --> 01:24:41,629
Francis!
- Francis!

508
01:24:43,640 --> 01:24:48,589
Mary!
- Mary!

509
01:24:50,320 --> 01:24:55,474
Dusan!
- Dusan!

510
01:24:55,840 --> 01:24:57,796
Peter, please!

511
01:24:58,200 --> 01:25:03,149
Peter!
- Peter!

512
01:25:05,600 --> 01:25:08,160
Peter, Pete!

513
01:25:14,200 --> 01:25:18,990
Attention! Attention!
Third grade pupils are ordered

514
01:25:19,120 --> 01:25:23,557
to return to their homes.
I repeat. Third grade pupils

515
01:25:23,720 --> 01:25:27,599
are ordered to immediately return
to their homes.

516
01:25:27,720 --> 01:25:29,676
As if we didn<i>'</i>t have enough trouble.

517
01:25:29,800 --> 01:25:35,352
They<i>'</i>ve searched everywhere, but
the kids have vanished into thin air.

518
01:25:36,440 --> 01:25:39,796
That<i>'</i>s why they<i>'</i>re trying on their
own now with hats in their hand.

519
01:25:40,560 --> 01:25:44,951
Joey, if you don<i>'</i>t show yourself

520
01:25:45,080 --> 01:25:50,632
don<i>'</i>t get into my sight.
- Hettie, do you hearme?

521
01:25:51,120 --> 01:25:55,477
Fun is over, it<i>'</i>s time to go home,
or else you<i>'</i>ll see. Do you hearme?

522
01:25:57,520 --> 01:26:01,877
Calm down, please, it<i>'</i>s just plain
roguery.

523
01:26:02,080 --> 01:26:06,517
After dark, the children will become
afraid and come home cap in hand.

524
01:26:06,720 --> 01:26:08,472
Mom.

525
01:26:10,680 --> 01:26:15,151
Peter, what have you done to us,
you poor child?

526
01:26:15,280 --> 01:26:17,430
Mom, mom.

527
01:26:34,680 --> 01:26:39,754
What misfortune!
- We can thank the cat forthat.

528
01:26:39,880 --> 01:26:43,031
Oh no, Robert instead.
- No, the headmaster is to blame.

529
01:26:43,200 --> 01:26:47,637
One can<i>'</i>t make head ortail ofit.
- One can<i>'</i>t, but I can.

530
01:26:47,760 --> 01:26:50,320
The school servant isto blame.
On his way from the pub he says...

531
01:26:51,200 --> 01:26:55,159
Yes! It is all my fault.

532
01:26:55,600 --> 01:26:59,957
I wanted to kill the cat,
I did most terrible things

533
01:27:00,080 --> 01:27:03,675
to Robert.
And I was a bootlicker.

534
01:27:03,800 --> 01:27:07,156
I beg your pardon, headmaster.
You can<i>'</i>t be amazed.

535
01:27:07,760 --> 01:27:11,116
What kid would stand a father
like me!

536
01:27:11,720 --> 01:27:13,073
Olda!

537
01:27:14,640 --> 01:27:16,392
Come home,

538
01:27:16,520 --> 01:27:19,478
I promise I<i>'</i>ll never do it again.

539
01:27:19,760 --> 01:27:22,069
What should I judge you!
I<i>'</i>m the biggest malingerer of all.

540
01:27:22,200 --> 01:27:26,034
My own child is sick of me.
When Joey comes back,

541
01:27:26,160 --> 01:27:30,119
I<i>'</i>ll be the best worker.
They<i>'</i>ll show me on exhibitions!

542
01:27:30,240 --> 01:27:32,834
And who is without blame?

543
01:27:32,960 --> 01:27:36,236
We didn<i>'</i>t deserve this, though.
- The headmasteristo blame.

544
01:27:36,360 --> 01:27:40,148
This is no use.
We must get down on our knees

545
01:27:40,280 --> 01:27:44,796
and beg off Robert and the cat.
For God<i>'</i>s sake,

546
01:27:44,920 --> 01:27:48,674
how many dirty tricks we plotted.
Ask the headmaster!

547
01:27:48,800 --> 01:27:51,519
Go ahead, ask me.
Isthere anything more beautiful

548
01:27:51,640 --> 01:27:55,394
than sincere self-criticism?
- Yes.

549
01:27:55,480 --> 01:27:58,631
You have erred, comrades,
but you are forgiven.

550
01:27:58,760 --> 01:28:03,117
Now we must unite our efforts.
- Wait a moment! The school servant

551
01:28:03,440 --> 01:28:06,477
said something about plotting.
- Come now, Marianne,

552
01:28:06,600 --> 01:28:10,593
don<i>'</i>t drag him through the mud,
can<i>'</i>t you see he feels guilty.

553
01:28:10,720 --> 01:28:14,269
He<i>'</i>d clattertoo much.
- Let him clatter!

554
01:28:14,400 --> 01:28:18,552
Let the school servant speak.
- Yes. If you believe me,

555
01:28:18,680 --> 01:28:24,596
good people, I will speak up,
I<i>'</i>ll speak up even if I should die!

556
01:28:57,800 --> 01:29:03,670
And what about yourself-criticism?
- I<i>'</i>ve erred, I know,

557
01:29:03,800 --> 01:29:08,669
but tell me yourselfin what.
I believed in people, quite blindly.

558
01:29:08,800 --> 01:29:13,749
But you heard it yourself. Abootlicker,
a malingerer... simply disgusting.

559
01:29:17,120 --> 01:29:19,839
This is a grave moment, comrades.

560
01:29:19,960 --> 01:29:22,918
You are looking for a culprit,
but it istoo late.

561
01:29:23,680 --> 01:29:26,638
How many times did I warn you!

562
01:29:28,040 --> 01:29:34,593
I tried by hook orby crook, he did
not listen, he had his own head.

563
01:29:35,160 --> 01:29:38,516
Finally, he set the children
to paste posterall overthe town.

564
01:29:38,680 --> 01:29:41,797
That isthe truth, Marianne.
- And who hunted the cat with a rifle?

565
01:29:41,920 --> 01:29:45,993
I don<i>'</i>t know, some may have,
but I was hunting hare.

566
01:29:46,400 --> 01:29:50,188
So that<i>'</i>s why you shot every
tom-cat?

567
01:29:50,320 --> 01:29:52,880
I saw it with my own eyes...
- Enough, Tonya.

568
01:29:53,480 --> 01:29:56,950
I think it would be best if you bring
Tabby here, don<i>'</i>t you think so?

569
01:29:57,080 --> 01:29:59,514
What do you say to that?
- As you wish,

570
01:29:59,640 --> 01:30:02,473
I<i>'</i>ll gladly get rid ofit,
besides, it didn<i>'</i>t do anything to me.

571
01:30:10,160 --> 01:30:12,913
Fetch the cat. But alive.
- I will.

572
01:30:25,520 --> 01:30:31,516
Nothing.
Not a trace ofthem.

573
01:30:32,720 --> 01:30:36,474
What?
- Shut up, Madonna.

574
01:30:39,880 --> 01:30:42,678
Why doesn<i>'</i>t Robert speak through
the loudmouth.

575
01:30:42,800 --> 01:30:45,268
The kids always loved him.

576
01:30:45,400 --> 01:30:47,072
I propose that theirfavourite
teacher

577
01:30:47,200 --> 01:30:50,590
and the most able memberof my staff

578
01:30:50,720 --> 01:30:54,076
speaksto the missing pupils.
Comrade Robert.

579
01:30:54,680 --> 01:30:56,830
Yes.
- You are right.

580
01:31:06,520 --> 01:31:11,878
Let bygones be bygones.
- Dear children...

581
01:31:12,000 --> 01:31:16,152
Especially my Peter.
- It is me, yourteacher Robert.

582
01:31:16,720 --> 01:31:20,679
I am waiting for you
with your mums and dads.

583
01:31:20,920 --> 01:31:23,753
If you saw how said they are
and me either.

584
01:31:23,880 --> 01:31:26,599
You did not betray yourcat friend,
you were keeping

585
01:31:26,720 --> 01:31:29,393
yourfingers crossed for me
and that<i>'</i>s very nice of you.

586
01:31:29,520 --> 01:31:33,195
But it won<i>'</i>t be any help, if you
keep on hiding.

587
01:31:33,320 --> 01:31:36,949
If you come back, we<i>'</i>ll be together
again, so that no one harms a hair

588
01:31:37,080 --> 01:31:40,231
on Tabby<i>'</i>s sharp-eyed head.

589
01:31:40,640 --> 01:31:43,791
That<i>'</i>s why you should hurry back
so that we can play together

590
01:31:44,080 --> 01:31:47,436
and tell each otherthat the most
beautiful thing in the world

591
01:31:47,720 --> 01:31:49,870
is friendship.

592
01:31:58,520 --> 01:32:00,476
Come, you rascal.

593
01:32:03,800 --> 01:32:06,155
And the little lady.

594
01:33:14,600 --> 01:33:17,160
Peter.
- My boy.

595
01:33:26,480 --> 01:33:28,835
Where<i>'</i>s Tabby?
- Right here!

596
01:33:32,800 --> 01:33:36,349
He can<i>'</i>t see.
- Put away that stocking.

597
01:33:36,520 --> 01:33:38,670
Besides, we<i>'</i>ve all shown
ourtrue colours. - Indeed.

598
01:33:39,120 --> 01:33:41,111
Wait, you<i>'</i>ve cuddled Tabby

599
01:33:41,240 --> 01:33:44,915
and now we have to guard him
like the apple ofthe eye.

600
01:33:45,040 --> 01:33:47,713
You shameless liar.
- Who will guard him?

601
01:33:47,840 --> 01:33:49,910
I promised to give him to the children.
- And didn<i>'</i>t they have him?

602
01:33:50,040 --> 01:33:53,077
Tell me, Olda.
- You<i>'</i>re behaving like kids.

603
01:33:53,200 --> 01:33:55,350
We could congratulate each other
on that. I beg your pardon.

604
01:33:55,480 --> 01:33:56,520
Come on, Robert.
Be sensible.

605
01:33:56,520 --> 01:33:57,669
Come on, Robert.
Be sensible.

606
01:33:59,320 --> 01:34:01,276
Do you hear it?

607
01:36:24,320 --> 01:36:27,278
Achameleon.
Look, he<i>'</i>s a chameleon!

608
01:37:01,240 --> 01:37:04,596
You won, after all.
Are you happy?

609
01:37:11,360 --> 01:37:13,316
Come with me, Robert.

610
01:37:16,760 --> 01:37:18,318
Will you?

611
01:39:02,800 --> 01:39:06,759
Once upon a time...
it should have happened!


